Chapters
Stable multiphonics
From B-flat to low A - 0:00:40 - 0:00:48
The multiphonics of A - 0:01:04 - 0:01:06
A with open C D and E - 0:01:06 - 0:01:26
A flat with open B and C - 0:01:26 - 0:01:45
G with open B - 0:01:45 - 0:01:54
F# with open B or A - 0:01:54 - 0:02:08
Direct attack on the mutliphonic
The top trio: lab sol fa#
Trilliums of the top trio
Variants with keys and fingers (thumb left hand)
Low F: open G or A - 0:03:38 - 0:04:01
E: C# open - 0:04:01 - 0:04:29
E flat: F# open - 0:04:29 - 0:05:30
Low D: F# and C# open - 0:05:30 - 0:06:07
D flat: the open - 0:06:07 - 0:07:09
Low B-flat: either open E, G or D - 0:07:17 - 0:08:05
Basic multiphonics and explorations
Anecdote Ligeti concerto: discovering fingerings
Conclusion: ten expressive, colorful drafts
Multiphonics notation by Heinz Holliger
Warning: inaudible start note in multiphonics
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3.STABLE SOUNDS

Discover contemptary extended techniques

 

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György LIGETI, Concerto pour violoncelle et orchestre, Ed. Peters, 1966. 
To explore the Work of Heinz HOLLIGER