Chapters

Vibration of the reed: very wide shade spectrum

Example with the basset horn - 0:00:41 - 0:01:09

Example with the contrabass clarinet - 0:01:09 - 0:01:50

Anecdote about feeling vibrations : Le Balcon, Peter Eötvös - 0:01:50 - 0:02:27

Example with a higher note with the bass clarinet - 0:02:27 - 0:02:53

Same example the with B-flat clarinet - 0:02:53 - 0:03:15

Advice : make maximum use of dynamics

Different variations of sound

To vibrate slowly : for a sorrowful melody - 0:03:52 - 0:04:29

Much faster vibration - 0:04:29 - 0:04:50

Slower and wider oscillation : with lower lip and jaw open - 0:04:50 - 0:05:30

To notate these subtleties like Grisey

Example forte and piano

Indications by Franck Bedrossian

We met as Sparks, Franck Bedrossian (Bar 43)

5.VIBRATIONS

Discover contemporary extended techniques

Franck BEDROSSIAN, We met as Sparks, Verlan Neue Musik, Berlin, 2015.

Gérard GRISEY, Quatre chants pour franchir le seuil, Ed. Ricordi, Milan, 1998.