Chapters

Introduction

The partial

To go up through the region by partials - 0:01:01 - 0:01:45

The multiphonic

Fingerings for multiphonics - 0:02:29 - 0:03:22

Partiels, Gérard Grisey (Bar 11) - 0:03:22 - 0:04:53

Partiels, Gérard Grisey (Bar 12) - 0:04:53 - 0:05:10

Percussive sounds

With the noise of keys and changing key plates - 0:05:23 - 0:05:56

Advice for composers - 0:05:56 - 0:06:54

Adding a little slap - 0:06:54 - 0:07:10

Slapping the reed with your finger - 0:07:10 - 0:08:20

Split tone

Split sound with a very wide spectrum - 0:08:48 - 0:09:00

Split sound much higher in the partials - 0:09:00 - 0:09:42

Multiphonics with fingerings

Simple notation - 0:10:46 - 0:11:31

Multiphonic with higher fingerings - 0:11:31 - 0:12:12

It only works if you play very softly - 0:12:12 - 0:12:45

Tremoli - 0:12:45 - 0:13:22

Advice about books - 0:13:22 - 0:13:43

Differential tones

Differential with slap - 0:14:39 - 0:15:10

Whistle tones

Whistle tones multiphonics - 0:15:36 - 0:16:25

Al di là del bianco, Clara Iannotta - 0:16:25 - 0:16:54

Superposition of sound with the sung voice

Unison - 0:17:18 - 0:17:36

Singing a third higher - 0:17:36 - 0:18:09

Variations in singing/playing nuances - 0:18:09 - 0:18:55

Choosing the right pitch - 0:18:55 - 0:19:39

Singing an octave higher - 0:19:39 - 0:20:04

Fixed tone and up-and-down singing - 0:20:04 - 0:20:51

Tsmindao Ghmerto, Evan Ziporyn - 0:20:51 - 0:21:26

Fixed song and sound that rises and falls - 0:21:26 - 0:22:19

Shouting into the contrabass clarinet

8.MULTIPHONICS

Discover contemporary extended techniques

Gérard GRISEY, Partiels, Ed. Ricordi, Milan, 1975.

Clara IANNOTTA, Al di là del bianco, Ed. Peters, 2009.

Evan ZIPORYN, Tsmindao Ghmerto, Sony Classical, 1996.